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Everything You Ever Wanted to Know About Turnout


If you study classical ballet, you are well aware that the outward rotation of the hips (or turnout) is essential to the training and traditions of this form.  Even if you are not a trained in ballet, as a dancer you probably use turnout at least some of the time.  Concert or theatrical dance forms (like modern or jazz dance) in particular utilize turnout within their movement vocabulary. Ask most dancers, and you'll discover that turnout is high on their list of things to improve and increase.  But how important is turnout, really? And is having extreme turnout really ideal?

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tags Ballet, Jazz, Modern, Broadway, Teacher, Studio, Performance, student, technique (all tags)

Classic Confusion

Question Mark

A reader recently posed a question in response to "Tips for College (Part II)" and perhaps "What is Modern Dance?." She asked, "What is "classical" dance in the west?"

The term "classical" in dance can vary in meaning, and just like the term "modern dance," can be confusing. Because of its European roots, ballet would be considered the classical dance of much of "the west." Other regions have their own classical dance forms - Indian or Cambodian classical dance are examples. Such forms are sometimes included under an umbrella of "folk dance," "ethnic dance," or even "world dance." Depending on who you talk to, however, these terms are all synonymous or all different classifications.

Classical ballet is ballet studied in the tradition that has been passed down (relatively unchanged at its core,

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tags Ballet, Modern, Enthusiast, performance, student, technique (all tags)

Sickling and Rolling In

The terms sickling and rolling in are used a lot in dance classes. However, I have found there is often much confusion surrounding these descriptions. Below is my attempt to clear up some things.

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tags Ballet, Jazz, Modern, Teacher, Studio, technique (all tags)