Dance of Independence
As children prepare for preschool and begin to participate in more structured activities, dance class may be the first time some are separated from their parents. Parents of these young children may be unfamiliar with the procedures of a dance class or operations within a particular studio. These parents, whether they have had experience with dance in their youth, as an adult, or not at all, will each have their own expectations for their child, the class, and the teacher.
Jumping In
For a child new to dance, his/her initial days and weeks can be quite daunting. This is particularly true for a very young student who has yet to even attend formal schooling. The new environment and unfamiliar faces can be frightening at first. While some children jump right in with both feet, many children take a more cautious approach, using the first few classes to watch or participate minimally. It is important to reassure this student and his/her parents that taking time to warm-up in a new situation is quite normal. In fact, children may take several weeks to feel comfortable in a class. Much can still be absorbed and learned through this observation, therefore, pushing or forcing the child is not necessary. Gentle encouragement may help shy or frightened children adjust but most will participate when they are ready because often, no matter how intimidated, few kids will endure missing out on the fun for very long.
"Don't Go!!"
Young children, when feeling insecure may insist (through body language, tears, or words) that they feel safer with a parent in the room. It can be hard for parents to resist prolonging or avoiding their departure to comfort their child or avoid tantrums. Often, the goodbye is the hardest part for both parent and child, however, many children who cry and become distressed when a parent leaves quickly recover once the class has begun. For ideas on ways to make goodbyes easier, check out this article. I have often found that children in dance classes have a tough time concentrating and fully engaging in class when parents are present. Children sometimes become shy in the presence of unfamiliar faces and it is a rare child that can resist either running back and forth between class and their own parent, showing-off, or acting-up before an attentive audience. As a teacher who is also a mother, I feel strongly that parents have a right to observe classes**. However, scheduling certain times throughout the year for this purpose allows all concerned to prepare the children for this special event so that they can be attentive and productive in class while their parents quietly view from the sidelines. The first few weeks of class are not the time to do this. This time must be spent establishing the routine students will follow during their session and the teacher's authority and expectations in regard to the dancers. Parents wanting to see a teacher in action should take or be given the opportunity prior to the start of the class/season whenever possible.
Parent Involvement
Teachers can also encourage parents to come early before their child's first day of class (or at some other designated time) to look quietly around the studio and say hello to their teacher. This helps the child to become familiar with their class environment and is just one of the ways parents can be enlisted to help smooth their child's transition into a new class. Another way parents can assist their child is to ask their student to become the teacher at home, instructing parents and even siblings on what they learn in class each day. Parents can also make a ritual of providing hugs and kisses before and after class, offer to have a special toy or stuffed animal be a stand-in until class is over, or put together a special dancer's outfit or accessory that will make the child feel stronger or perform better in class. Children can even have a say in the matter. Ask them what might help them to feel more secure even though Mommy or Daddy cannot be with them for this short time. Facilitating parent involvement is beneficial to the students and teachers and reassures parents that their role is an important one.
Dance of Independence
As important as parents are to the development and learning of their children, as they grow kids also benefit from time apart from their parents. They gain confidence in their ability to make choices, learn new things, form ideas all on their own, and then proudly share them. As they witness these developments parents will learn to value and enjoy their child's dance of independence, watching as he/she learns to appreciate dancing with and without them. Remember, that in leaving their child with a dance teacher, parents are putting a great deal of trust and faith in the school and in the instruction being offered. Making clear what is expected of parents and children, addressing any concerns with understanding and care, and demonstrating that the child's needs are top priority among the professionals at the dance school will help maintain this trust. On this last point (a child's needs) the parent and school may not always see eye to eye, however, school administrators must be willing to stand firm in the principles that guide their decisions, even if it means that some pupils/parents will decide that their principles are not aligned and leave the school. This does not mean that some parental concerns are not valid or deserving of evaluation. However, schools that implement changes simply to keep customers damage the trust they have established among their larger body of parents and students. It is important for a dance school to take great care in helping their youngest students adjust, to provide the best possible education so that a solid foundation is created on which to build, and to establish strong communication with parents. This will give young dancers a great start to a long and positive future in dance.
**Observation Alternatives
Some dance schools offer alternatives to sitting-in so that parents may regularly watch classes. I have taught under nearly all possible circumstances including, one-way mirrors, viewing windows, and video monitors. Of all of these, I preferred the video surveillance camera. I feel it allows visual access for the parent whose worry may be the overall safety of the child but is unobtrusive for the students and teacher. Windows and mirrors, I have found, cause almost as much distraction as having people in the room. Windows, because students can see and become distracted by activity outside, and mirrors, because students become distracted by what they know must be outside. I also observed less critical or negative parent-talk in the lobby with video surveillance than I witnessed outside studios with windows. Perhaps this was because the black and white video monitor more easily became secondary to conversations and business going on in the waiting area, rather than the main attraction. If you have experiences with these or other forms of observational tools in dance studios, I'd like to read your comments below. My assessments are based purely on my own experiences which may differ from yours.
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