There are many programs boasting traditional Russian technique, including the Kirov Academy of Ballet which has off-again-on-again returned to its Kirov name, but it was specifically the Bolshoi Ballet that drew me in.  Their training has remained primarily within Russia, with its pristine classicalism and accessibility, harder to break through than the iron curtain...until last summer.

In its second year, the Bolshoi Ballet Academy's 2008 intensive summer program, held auditions in New York City and accepted students to become part of the prestigious classical training, and what was referred to by La Rocco, as a cultural exchange.  Organized by the Russian American Foundation, the camp also doubles as a "cross-cultural public relations effort".  

However, diplomacy trough dance is nothing new.  In 1954, during the Cold War, President Eisenhower urged Congress for money to send performing artists from America abroad to show off our artistic achievements and ability, like the Soviet Union.

Both modern and ballet companies were sent, including Jose Limon Dance Company to Latin America, and Martha Graham and her company to Asia.  Alvin Ailey, American Ballet Theatre, and New York City Ballet were also sent on tour in 1962 to demonstrate American strength and skill in classical ballet.  These companies triumphed abroad as they performed the contemporary and neo-classical style that first emerged out of the United States.  With numerous performances, often ten weeks of non-stop shows, these companies left a lasting impact on how dance was viewed all over the world, proving that not all dance innovation was coming primarily out of Europe, as it had previously.

Now 54 years later the roles are reversed, as Russia is sending one of their most distinguished companies to the States in a mission to "build a better appreciation of Russian culture in America".  Indeed, the summer intensive is not just chock full of technique classes and pointe drills, but a full academy experience.  All the students must take Russian-language (except the Russian students who take English), and music appreciation.  Well, we all wish we could look like their dancers who seem to be the holy-grail of ballet, so maybe this is our chance to get a piece.

Interestingly enough, it seemed to me that the Bolshoi wanted to soften their image in America. With a tough reputation and beyond strict teachers, this might be an interesting attempt that could go either way.  The article stated that parents were also reluctant about the teaching methods, afraid of the adult teachers touching their children, perhaps illustrating the differences between American culture and a large portion of the rest of the world.

It's pretty clear that attending this intensive will by no means get you into the company. But, for a lucky two, there are hopes to be swept away to perform at the Gala in Moscow.  For all of the students, the experience can be beneficial in reaching their dream companies, and leave the Bolshoi to Russia.

Want to check out the article yourself?
http://www.nytimes.com/2008/07/27/arts/dance/27laro.html?_r=1&ref=dance&oref=slogin

Ballet, Summer Study, Bolshoi (all tags)